Showing posts with label theme. Show all posts
Showing posts with label theme. Show all posts

Monday, April 25, 2016

[THEME] Explore the theme of love in the play

Develops from fatal and destined to forlorn to perfunctory to pure permeates text from prologue to end
Prologue – “star-crossed lovers” “death-marked love”
LOVE IS FIRST PRESENTED AS PREDETERMINED - thwarted by malign stars - external forces – separated by cruel circumstance - death-marked - doomed to fail - set in stone

Introduction of Romeo - “O brawling love, o loving hate” “Feather of lead, bright smoke”
LOVE IS THEN PRESENTED AS melancholy, forlorn, one-sided, unrequited, miserable – in a stereotypical and clichéd light -  pining for Rosaline moody – infatuation – lust not love (“Chaste”, “waste”) thus objectifying Rosaline, erroneously mistaking it for love - locked in an artificial night due to the lack of reciprocation – lengthy ramble containing antithesis and juxtaposition show his internal turmoil and the deep conflict he has within – love is portrayed to be one-sided, a form of torment causing intense internal conflict, and as insincere and easily confused with lust

Introduction of Juliet - “I’ll look to like if looking liking move. But no more deep will I endart mine eye, than your consent gives strength to make it fly.”
Juliet’s response to her mother’s veiled order of question – wordplay in first line – non-committal – love is presented as a duty, a chore, a responsibility, an expectation – to consummate a marriage is to simply fulfill a job and uphold a tradition – logical, cold, methodological, forced, false, logical, mechanical - not so much a feeling - Juliet is placid and apathetic to the notion of love - not interested in any such discussion – Paris’ method of proposal only accentuates the intrinsically flawed system of marriage – preserve his status, name and social standing

Meeting – “If I profane with my unworthiest hand, this holy shrine, the gentle sin is this”
Romeo uses a metaphor to describe Juliet as a holy shrine – he is not worthy – Juliet is sacred, pious, holy - religious semantic field with connotations of faith, religious imagery running through their exchange – passionate love – absolute devotion – fervent, zealous, ardent – connotations of purity – magical, perfect, pure – spiritual, a necessity, goodness of God - Perfect sonnet form – 14 lines – iambic pentameter, heartbeat rhythm – love is perfect – harmonious relationship – “kisses by the book” however audience acknowledges he’s already shed most of his pretenses
“she doth teach the torches to burn bright” – Romeo sought sanctuary in the dark but the artificial night he fabricated for himself offered him no solace, it is only through Juliet’s love that he finds satisfaction

“That which we call a rose by any other word would smell as sweet”
Love overpowers family names – strength of their love triumphs over whatever rifts exist between their households – rhetorical interrogative demands the authority of the regimental division of their families –mocking imperial importance of family status and history

"But passion lends them power, time means, to meet, temp'ring extremities with extreme sweet."
Romeo and Juliet forge onward in pursuit of their love — empowered to dare cross thresholds that have before been barriers – tempering steel – connotations of their love being strengthened by the obstacles they face

Balcony scene – “Arise, fair sun, and kill the envious moon,” “winged messenger of heaven”
Juliet is his sun – elevating Juliet, his love, to a heavenly status – aligns her with the sun and the stars – celestial metaphors - suggests that love is heavenly and otherworldly and its beauty is angelic like Juliet’s beauty – extended metaphor - sincere and deeply religious imagery, a more spiritual consideration – ethereal - contrast this to the artificiality of Romeo’s feelings for Rosaline and his over-inflated, melodramatic descriptions

Exploration of other forms of love:
 “And you be mine, I’ll give you to my friend, and you be not, hang, beg, starve, die in the streets”

Possessive article – downward divergence - absolute possession of Juliet – threatening and intimidating – tyrannical – good intent with her best interests at heart however misguided and insensitive – paternal caring relationship albeit overly possessive between father and daughter

[THEME] Explore the theme of fate in the play

Prologue – “star-crossed lovers” “death-marked love”
Thwarted by malign stars - external forces – separated by cruel circumstance
Death-marked - doomed to fail - set in stone – love is predetermined and preordained by fate

“My grave is like to be my wedding bed”
Foreshadowing - creation of dramatic irony - highlighting the inevitability of Juliet’s demise and how the tragic end of the two lovers has already been cemented by the powerful mechanism that is fate

“These violent delights have violent ends.”
Friar - intensity of emotions lead to nothing but “violent”, swift, tragic, ill-fated endings

“O, I am fortune’s fool.”
Personification of fortune – plaything of mere chance, being toyed with, a victim of destiny – emphasizes lack of control over one’s own fate and is instead at the mercy of it – possessive as opposed to dynamic verb – Romeo consciously realizes that his actions are not entirely of his free will - events are fated – reiteration of the motif of fate

“I defy you, stars!”
Takes action against fate - declares himself openly opposed to the destiny that so grieves him – brevity coupled with the exclamative convey his disbelief and anguish - however by actively “defying” fate and denying its hold on him he he brings it about – setting the play on its tragic course and trajectory

Romeo’s final speech – “World-weary flesh, shake the yoke of inauspicious stars”

Tired of living – once again “shaking” the scheme of things – defying movement of celestial bodies – pre-ordained bad luck – he thinks the only way he can escape fate is through death but ironically that is what fate veers him into

[THEME] Explore the theme of hate/violence/the family feud in the play

“From ancient grudge break to new mutiny, where civil blood makes civil hands unclean.”
Ancient grudge antithesis with new mutiny – indicates how long the feud has been brewing for and how deep the hatred runs – repetition of word civil – emphasis placed on the fact that – all civilians but the violence and blood tainted their civil hands – viciousness of the feud

“On pain of torture… Throw your mistemper’d weapons to the ground.”
Personification of weapons as mistempered – innate violence of the feud conveyed – embodied by anger and rage – personifying weapons as brash and irrational presents conflict as violent and reflects the impulsive and thoughtless behavior of the handlers

“Hot days” “Mad blood stirring”
Hot – pathetic fallacy – tense, angry, foreboding atmosphere - circular motion – no end to the hate – personification of blood as mad – inevitable violence which resides in their blood, their veins – innate – violence is inflamed by the summer's heat

“I will withdraw, but this intrusion, now seeming sweet, convert to bitt’rest gall.”
Compares violent intention of vengeance to bitter poison through metaphor – patience and anticipation makes his “flesh tremble” – antithesis highlights extremity of hate and violence in the family – foreshadowing, a nod to the ending of the play where the violence truly poisons all involved – the feud is deadly in itself – Mercutio’s death – and acts as a catalyst of Romeo and Juliet’s double suicide

“Again, in triumph, and Mercutio slain? Away to heaven, respective lenity, and fire-eyed fury be my conduct now!”
Tybalt extinguished the passionate flames of love and good in Romeo, eradicating the good qualities that Juliet liked about him, and in replacement passed on his bitter hatred – Romeo thinks love had made him weak and effeminate – casting it away for “fire-eyed fury” – fricative alliteration - boiling, fire-eyed resent which Tybalt sparked – hellish imagery juxtaposes with heaven - interrogative displays his incredulity and anger and fury – the infectious hate had spread to even to the loving archetypal lover, Romeo, thus stressing -  killing Tybalt engraves the tragic ending into stone